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Todd Norsten The Heart Of Everything That Is | Room 1, 2016
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Todd Norsten The Heart Of Everything That Is | Corridor, 2016
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Todd Norsten The Heart Of Everything That Is | Room 2, 2016
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Todd Norsten The Heart Of Everything That Is | Room 3, 2016
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Todd Norsten +, 2016
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Todd Norsten More, 2016
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Todd Norsten TV, 2016
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Todd Norsten Single Grizz, 2016
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Todd Norsten Minot N D, 2016
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Todd Norsten Autumn Red, 2016
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Todd Norsten G, 2016
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Todd Norsten Jackson Pollock, 2016
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Todd Norsten The End, 2016
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Todd Norsten Ether, 2016
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Todd Norsten Wages, 2016
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Todd Norsten F, 2016
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Todd Norsten Small Blue Steps, 2016
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Todd Norsten Fuzzy Little Bleep, 2016
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Todd Norsten Double Grizz, 2016
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Todd Norsten Men, 2016
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Todd Norsten Blackout Drunk, 2016
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Todd Norsten Blue Steps, 2016
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Todd Norsten Dirty Looks, 2016
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Todd Norsten Fuck This Shit (R), 2016
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Todd Norsten Gas, 2016
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Todd Norsten Gray Target, 2016
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Todd Norsten Green Tape, 2016
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Todd Norsten Grizz Mask, 2016
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Todd Norsten Less, 2016
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Todd Norsten Women, 2016
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Todd Norsten Monkey, 2016
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Todd Norsten Self Help (How To Compromise), 2016
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Todd Norsten So Much Time, 2016
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Todd Norsten On, 2015
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Todd Norsten R, 2015
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Todd Norsten I Love Every Kind Of Colour, 2015
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Todd Norsten Squirrel, 2015
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Todd Norsten The New Catholic Church, 2015
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Todd Norsten G, 2015
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Todd Norsten This Isn't, 2015
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Todd Norsten Untitled, 2015
Artists
OPENING THURSDAY MARCH 17, H. 6.00 – 9.30 PM
MARCH 18 – MAY 7, 2016
Federica Schiavo Gallery is delighted to present the first solo show at the gallery by the American artist Todd Norsten.
There is a natural relationship between painting and writing. As a viewer, the tendency is to look at images as if reading a text, compiling signs that can be paired down to assemble meaning… It is this creative friendship between images and speech that informs the character of Todd Norsten’s most recent body of work in which the brevity and poignancy of images and utterances range from the bitterly critical to the supremely comical. His pictures depict thoughts that resemble thoughts themselves, uncertain, abstract, honest, and occasionally inappropriate. Yasmil Raymond, “The Beautiful Irreverence of Laughter,” Todd Norsten, (Seoul, 2007).
Todd Norsten’s practice begins with texts and images he founds during his travels: fragments of everyday life function as a visual diary and a subtle reflection, humorous and bitter at the same time, which explore the commercial culture and the daily reality of the Western society by using references and tackling inconvenient subjects, ranging over from pop culture to religion.
Norsten’s subtle and evocative paintings are filled with rudimentary marks, sloppy lettering, awkward cropping and sometimes dirty surfaces. Upon first glance they look careless or naive. Closer examination reveals an accurate research on the possibilities of language. Words and discrete images, whether they are handmade or mechanically produced, aim for a direct and simplified deposit of information with the singular purpose of re-contextualizing the texts in a completely different system of communication.
By employing a variety of painting techniques from the tribute to Minimal Art to trompe l’oeil, Todd Norsten makes clear his faith in the act of painting and choose to depict signs and objects which belong to popular culture, transforming them into minimal, earnest and humorous works that give character to things that are transitory or ephemeral.